Douglas has performed on more than 1,500 albums by artists including Ray Charles, George Jones, Alison Krauss, Earl Scruggs, and James Taylor, and none of those works sound a bit like this collaboration with Hiatt. He and wife Nancy live in a nicer neighborhood now, just out of town and within walking distance of Douglas, who reinvented the Dobro and is responsible for bringing the instrument to popular presence in modern times. King, Willie Nelson, Bonnie Raitt and scores of others, and have earned him a place in the Nashville Songwriters Hall of Fame, a BMI Troubadour award, and a lifetime achievement in songwriting designation from the Americana Music Association.
His lyrics and melodies have graced more than 20 studio albums, have been recorded by Bob Dylan, Emmylou Harris, B.B. In the ensuing 50 years, he went from a scuffling young buck to a celebrated grand master of song. Elvis, the Everly Brothers, Waylon Jennings doing ‘Only Daddy That’ll Walk the Line.’ But all that history wasn’t intimidating, because it’s such a comfortable place to make music.”Ī half-century ago, Hiatt lived in a ratty, $15-a-week room on Nashville’s 16th Avenue, less than a mile away from the RCA and Columbia studios that were the heartbeat of what had come to be known as “Music Row.” “You can’t not be aware of the records that were made there. “I was immediately taken back to 1970, when I got to Nashville,” said Hiatt, who was at the studio to record with Dobro master Jerry Douglas and Douglas’s band.
Dooley james brown discography full#
In the midst of a global pandemic, John Hiatt walked into Historic RCA Studio B and opened up a lifetime full of leftover feelings. John Hiatt & Jerry Douglas live at Paste Studio on the Road: Nashville John Hiatt with The Jerry Douglas Band - "I'm In Asheville" John Hiatt with The Jerry Douglas Band - "All The Lilacs In Ohio" John Hiatt with The Jerry Douglas Band - Long Black Electric Cadillac Promovideo's Leftover Feelings John Hiatt with The Jerry Douglas Band - "Mississippi Phone Booth" Jerry Douglas would like to thank: Jill, Ken Levitan and Brian Penix at Vector Management, Paul Beard at Beard Guitars, Jason DuMont, Jeff Hanna, Lagan Sebert, D'Addario Strings, Donnie Wade at Fender Guitars, Tom Spaulding at Fishman Electronics, Brian Jonas and Frank Riley at High Road Touring, and Modern Music Masters.Ī very special thanks to Kyle Young, Peter Cooper, Justin Croft, and everyone at The Country Music Hall of Fame & Museum and RCA Studio B. And thanks to all for listening over the years Ken Levitan and Vector, Rob Prinz and all at ICM, Jay Wright, Nikki Wheeler, Brandon Zmigrocki, Everyone at New West Records, All at FBMM, Wes Dooley at AEA. John Hiatt would like to thank: My wife, family and friends.
Art Direction and Design: Jordan Fann and LaRon Stewart.Booking by ICM Partners for John Hiatt and High Road Touring for Jerry Douglas.Management by Ken Levitan for John Hiatt and Brian Penix for Jerry Douglas at Vector Management.Recorded at RCA Studio B and The Squirrel Nest in Nashville, TN.Recorded and Mixed by Sean William Sullivan.So Not That Music (BMI) Administered by Songs of Kobalt Bass, Tic-Tac Bass and String Arrangements